I’m a writer and director based in the UK. My work includes theatre and over 850 hours of audio drama with plays broadcast on BBC Radio 4 and streaming on Audible and Spotify.

RECENT PRODUCTIONS

THE LEGACY OF ZORRO
6 × 30mins
Big Finish Productions

Cast:
Martin Marquez
Norah Lopez-Holden

Written by Adam Lance Garcia
Sound design and score by Jamie Robertson
Produced by Emma Haigh
Directed by Ken Bentley

TURPIN
8 × 30mins
Big Finish Productions

Cast:
Dónal Finn
Jemima Rooper
Greg Wise
Kacey Ainsworth
Tom Alexander
Alisha Bailey
Brian Bovell
Paul Bown
Ian Conningham
Richard Goulding
Derek Griffiths
Simon Kane
Harriet Kershaw
Harry Myers
Joe Pitts
Sam Stafford
Robert Whitelock
Lizzie Worsdell

Written by Mat Braddy and Darren Rapier
Sound design by Tim Steemson and Thea Cochrane
Original score by Jamie Robertson
Produced by Lizzie Worsdell
Directed by Ken Bentley

THE GOBLIN KING AND ME
1 × 44mins
Bafflegab for BBC Radio 4

Cast:
Frankie Treadaway
Jon Culshaw
Susan Jameson
James Bolam
David Judge
Dan Starkey
Kieran O’Brien

Written by Paul Magrs
Sound design by Benji Clifford
Original score by Sophie Cotton
Produced by Simon Barnard
Directed by Ken Bentley

LOCAL HERO
1 × 1hr
Bafflegab for BBC Radio 4

Cast:
Harry Lloyd
Sophie Kennedy Clark
Greg McHugh
Kiran Sonia Sawar
Clive Russell
Harry Ditson
John Scougall
David Gant

Written by Marty Ross
Adapted from the film by Bill Forsyth
Sound design by Charlie Brandon-King
Original score by Jon Griffin
Produced by Simon Barnard
Directed by Ken Bentley

THE SIGNALMAN
1 × 1hr
Granny Eats Wolf for Audible

Read by:
Sam Mendes

Written by Charles Dickens
Original score by Natalia Tsupryk
Directed by Ken Bentley

REVIEWS

“This is something very special…the liminal space between fantasy and reality has never been so beautifully captured. It’s magical realism with a heart and the whole team are to be congratulated.”

— Anna Jones, Radio Times (Review of The Goblin King and Me)

“Startled by a dawn knock at my kitchen window, I jerked open the back door to find I’d been fooled by the astonishingly immersive quality of The Sound at the End…director Ken Bentley excels himself in his handling of Kirsty Logan’s script.”

— Christina Hardyment, Audiobook of the week, The Times (Review of The Sound at the End)

“A respectfully inventive, pretty much perfect version. I loved the production.”

— Libby Purves, theatrecat.com (Review of Great Expectations) ★★★★★

AWARDS

Winner:
APA Audie Awards 2022
APA Audie Awards 2021
BBC Audio Drama Awards 2017

Nominee:
Audio Academy Arias 2026
APA Audie Awards 2026
BBC Audio Drama Awards 2016
BBC Audio Drama Awards 2016
BBC Audio Drama Awards 2015
APA Audie Awards 2015

TESTIMONIALS

“Ken is a brilliant creative force. As a writer, he leaves no stone unturned. His specificity, emotional literacy, firm grasp of plot and sheer honesty in the depiction of characters always leaves me full of admiration. A Ken Bentley script is fearless in its ambition and impact. As a director, he is a master of all the organisational requirements as well as casting beautifully and working delightfully well with actors, who find themselves happy and able to take risks in the relaxed atmosphere Ken generates, and his attention to detail with post-production is meticulous, yet he has a real ability to welcome the creative input of others.”

— Nicholas Briggs, Executive Producer

“Ken treats everybody equally, whether you’re John Hurt or an actor fresh out of drama school. He has a unique no-bullshit manner and the vibe in the studio is always fun. I love working with him.”

— Tracy Wiles, Actor

“I’ve worked with Ken for over 15 years, and he’s the first choice when I’m crewing any production. His easy manner, attention to detail, passion for every project and respect for the budget always ensure that every production in his hands will be first class.”

— David Richardson, Producer

“Ken has a real talent for casting the right actors and creates a relaxed atmosphere that brings out the best in everyone. Throughout the entire production process, his instincts are spot on. You always know you’re in safe hands.”

— Lizzie Worsdell, Producer

“Ken creates a sense of safety that enables actors to relax and to work easily and freely. He’s emotionally intelligent, armed with a wry sense of humour, and his understanding of dramatic structure and nuance is a priceless resource. Working with Ken guarantees quality and creativity, but above all else it’s fun.”

— Robert Whitelock, Actor

“Ken is a complete joy to work with; professional, with a clear vision, whilst being relaxed, friendly and collaborative – the holy grail for any sound designer!”

— Charlie Brandon-King, Sound Designer

“Ken is collaborative, supportive and kind. His integrity and willingness to debate and discuss to create the best possible production makes him a wonderful colleague to work with.”

— Emma Haigh, Producer

“I can’t sing Ken’s praises highly enough. He’s organised, very easy to work with and delivers excellent results. I’d hire him again in a heartbeat.”

— Simon Barnard, Producer

“Working with Ken is always reassuring. He’s diligent, capable, takes the work seriously, yet fosters a welcoming environment in the studio.”

— Heather Challands, Producer

“Ken is that rarest of things: a truly collaborative creative force. His sense of how narrative functions is first-rate, his skill with actors is exemplary and his quiet confidence in person ensures that everybody is relaxed and productive.”

— Jonathan Barnes, Writer

“It has been my great pleasure to work with Ken on numerous projects. He’s an insightful director who knows what he’s looking for and communicates it clearly, but also welcomes collaboration and input from the artists he works with.”

— Joe Kraemer, Sound Designer and Composer

“Ken has a unique ability to cut through the brambles of a project and find what’s important. He also has exactly the right balance of direction and room for creative freedom that helps a composer flourish.”

— Jon Griffin, Composer

“Working with Ken on Great Expectations was a delight. He came to the project with an incredible amount of knowledge and his energy was a great asset to the creative team. He’s also just a really nice guy to work with.”

— Katherine Senior, Producer